Gabrielle Goldsby is the author of six novels including Forward Magazine finalist, Remember Tomorrow, the Lambda Literary Award-winning Wall of Silence, and The Caretaker’s Daughter, recipient of the Alice B. Lavender Certificate. A Northern California transplant, Gabrielle currently resides in Portland, Oregon.
Jewelle Gomez (Cape Verdean/Ioway/Wampanoag) is a writer and activist and author of the double Lambda Award-winning novel, THE GILDA STORIES from Firebrand Books. Her adaptation of the book for the stage “Bones & Ash: a Gilda Story,” was performed by the Urban Bush Women company in 13 U.S. cities. The script was published as a Triangle Classic by the Paperback Book Club.
She is the recipient of a literature fellowship from the National Endowment for the Arts; two California Arts Council fellowships and an Individual Artist Commission from the San Francisco Arts Commission.
Her fiction, essays, criticism and poetry have appeared in numerous periodicals. Among them: The San Francisco Chronicle, The New York Times, The Village Voice;Ms Magazine, ESSENCE Magazine, The Advocate, Callaloo and Black Scholar. Her work has appeared in such anthologies as HOME GIRLS, READING BLACK READING FEMINIST, DARK MATTER and the OXFORD WORLD TREASURY OF LOVE STORIES.
She has served on literature panels for the National Endowment for the Arts, the Illinois Arts Council and the California Arts Council.
She was on the original staffs of “Say Brother,” one of the first weekly, Black television shows in the U.S. (WGBH-TV, Boston) and “The Electric Company” (Children’s Television Workshop, NYC) as well as and on the founding board of the Gay and Lesbian Alliance Against Defamation (GLAAD). She was an original member of the boards of the Astraea Foundation and the Open Meadows Foundation.
Her first novel, THE GILDA STORIES, celebrated its 20th year in print in 2011 with readings at the Museum of the African Diaspora and at the Queer Arts Festival. Her other publications include three collections of poetry: THE LIPSTICK PAPERS (1980) and FLAMINGOES AND BEARS (1986), both self published and ORAL TRADITION from Firebrand Books (1995). She edited (with Eric Garber) a fantasy fiction anthology entitled SWORDS OF THE RAINBOW (Alyson Publications (1996) and selected the fiction for THE BEST LESBIAN EROTICA OF 1997 (Cleis).
She is also the author a book of personal and political essays entitled FORTY-THREE SEPTEMBERS (Firebrand Books 1993) and a collection of short fiction, DON’T EXPLAIN (Firebrand Books 1997).
She has presented lectures and taught at numerous institutions of higher learning including San Francisco State University, Hunter College, Rutgers University, New College of California, Grinnell College, San Diego City College, The Ohio State University and the University of Washington (Seattle).
Formerly the executive director of the Poetry Center and the American Poetry Archives at San Francisco State University she has also worked in philanthropy for many years. She is the former director of the Literature program at the New York State Council on the Arts and the director of Cultural Equity Grants for the San Francisco Arts Commission. She is also the former Director of Grants and Community Initiatives for Horizons Foundation as well as the former President of the San Francisco Public Library Commission. She is currently Playwright in Residence at New Conservatory Theatre Center.
A Milwaukee, Wisconsin, native, Sheree L. Greer has been published in Hair Trigger, The Windy City Times, Reservoir, Fictionary, The Windy City Queer Anthology: Dispatches from the Third Coast, and Best Lesbian Romance 2012. She has performed her work across selected venues in Milwaukee, New York, Miami, Chicago, and Tampa, where she hosts Oral Fixation, the only LGBTQ Open Mic series in Tampa Bay. She earned her MFA at Columbia College Chicago and currently teaches writing and literature at St. Petersburg College. Sheree, an Astraea Lesbian Writers Fund grantee, completed a VONA residency at University of Miami and self-published a short story collection, Once and Future Lovers.
While her obsessions constantly rotate and evolve, Sheree has an undying love for hot sauces, red wines, and crunchy tacos. She plays less-than-mediocre electric guitar but makes nearly-perfect guacamole.
When M.B. isn’t writing, she works as a producer of the theatrical trailers everyone talks through when they go to the movies. She also spends her spare time skating in roller derby, pretending she’s a cowboy, and playing with swords. Living in Los Angeles with her partner and herd of fur children has taught her useful defensive driving skills and how to be too friendly. She has kindly requested that, if the time ever come, her lifeless corpse be dragged into LA County limits before she is officially declared dead.
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